Musical set theory

Results: 41



#Item
11A Computer Representation of Pitch Based on the Spiral of Fifths Stuart Pullinger, Nicholas Bailey, Graham Hair Glasgow University Centre for Music Technology  Aim

A Computer Representation of Pitch Based on the Spiral of Fifths Stuart Pullinger, Nicholas Bailey, Graham Hair Glasgow University Centre for Music Technology Aim

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Source URL: www.n-ism.org

Language: English - Date: 2008-05-13 08:03:30
12Music Bibliography  1 Stephen Lavelle

Music Bibliography 1 Stephen Lavelle

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Source URL: www.increpare.com

Language: English - Date: 2009-03-21 15:53:58
13The Pentatonic Family Pt.2 Once again staying within the realm of 12 tones [the sizes are up to you} we can look at another set of pentatonics. Before we looked at the Large and small patterns that we can define as LsLss

The Pentatonic Family Pt.2 Once again staying within the realm of 12 tones [the sizes are up to you} we can look at another set of pentatonics. Before we looked at the Large and small patterns that we can define as LsLss

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Source URL: www.anaphoria.com

Language: English - Date: 2014-05-24 11:03:53
14I Introduction A. Overview This article examines two mathematical spaces which can be constructed using the twelve canonical interval classes. Each is derived from the minimum interval sets found in dyads and trichords.

I Introduction A. Overview This article examines two mathematical spaces which can be constructed using the twelve canonical interval classes. Each is derived from the minimum interval sets found in dyads and trichords.

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Source URL: jacksonmoore.net

Language: English - Date: 2015-04-03 16:18:00
15Overtones, Intervals, and Generative Transformations in György Ligeti’s Hamburg Concerto (draft)  Kris Shaffer

Overtones, Intervals, and Generative Transformations in György Ligeti’s Hamburg Concerto (draft) Kris Shaffer

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Source URL: kris.shaffermusic.com

Language: English - Date: 2015-04-15 21:44:53
16The Interaction of Conflicting Forces in Keith Humble’s Career, Musical Identity and Compositional Process, as Reflected in A Little Sonata in Two Parts Graham Hair University of Glasgow [The author would like to ackno

The Interaction of Conflicting Forces in Keith Humble’s Career, Musical Identity and Compositional Process, as Reflected in A Little Sonata in Two Parts Graham Hair University of Glasgow [The author would like to ackno

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Source URL: www.n-ism.org

Language: English - Date: 2006-01-09 18:05:43
17Sage Reference Manual: Discrete dynamics Release 6.6.beta0 The Sage Development Team

Sage Reference Manual: Discrete dynamics Release 6.6.beta0 The Sage Development Team

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Source URL: sagemath.org

Language: English - Date: 2015-02-21 07:35:21
18A new proof of Morley’s theorem∗ par ´ offered me its hosIt is now 22 years since IHES pitality. I have learnt there most of the mathematics I know, mostly thanks to impromptu lunch conversations with visitors or p

A new proof of Morley’s theorem∗ par ´ offered me its hosIt is now 22 years since IHES pitality. I have learnt there most of the mathematics I know, mostly thanks to impromptu lunch conversations with visitors or p

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Source URL: www.alainconnes.org

Language: English - Date: 2002-11-02 12:01:22
19Musical tuning / Musical set theory / Post-tonal music theory / Diatonic and chromatic / Interval / Music and mathematics / Pythagorean tuning / Just intonation / Octave / Music / Harmony / Greek music

An Honors Seminar in Music & Mathematics Mathfest 2009 William E. Fenton Bellarmine University Louisville, KY, USA 40205

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Source URL: www.bellarmine.edu

Language: English - Date: 2009-08-14 10:29:48
20Musical Actions of Dihedral Groups Alissa S. Crans Loyola Marymount University Joint work with: Thomas Fiore & Ramon Satyendra

Musical Actions of Dihedral Groups Alissa S. Crans Loyola Marymount University Joint work with: Thomas Fiore & Ramon Satyendra

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Source URL: myweb.lmu.edu

Language: English - Date: 2008-01-20 22:21:01